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From the New York Times bestselling author that brought us The Littlest Pilgrim comes a sweet new holiday companion filled with Christmas cheer and one adorable reindeer! Dot may be the littlest reindeer in the North Pole, but she has a big desire to help Santa pull his sleigh! But Dot just cant seem to fly the right way, no matter how hard she runs, leaps, and kicks. Will Dot learn to fly, or is the littlest reindeer just too little?
The undeniable pinnacle of the golden age of Spanish painting Acclaimed for its blending of realism with atmosphere, and for its deeply sensitive appreciation of character, the work of Diego Rodriguez de Silva y Velazquez (1599-1660) represents the undeniable pinnacle of the golden age of Spanish painting. Born in Seville but of Portuguese origin, Velazquez became Court Painter to Philip IV in 1623. A steady worker, using primarily sombre low-toned coloring, he met Rubens in 1628, and soon after made a first trip to Italy. The pictures painted there reveal a growing interest in both color range and in the male nude. Vel?zquez only returned to Italy once again in the late 1640s, where he painted his famous portrait of Pope Innocent X and his only female nude, the Rokeby Venus. But his greatness lies perhaps in his empathetic studies of such characters as the dwarf playmates of the royal children. The weathering of the skin, rags and mortality, as well as the ageing face of the despondent monarch increasingly preoccupied him in later years. The power, insight and brilliant technique of these paintings were to prove profoundly influential on such later artists as Manet, Delacroix, Picasso and Bacon.
Designed to appeal to the book lover, the Macmillan Collectors Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collectors Library are books to love and treasure. The French Revolution is in full swing and the aristocracy are being sent to the guillotine in their hundreds. In the shadows, English dandy Sir Peter Blakeney - working under his alter ego, the Scarlet Pimpernel - is breaking the condemned out of prison and leaving his distinctive calling card, a picture of a red flower, to torment the French authorities. A master of disguise, infamous escape artist and flamboyant swordsman, his identity is such a closely guarded secret that even his wife is in the dark. But, with enemy agents on close his tail, his failure to trust her might be his undoing. The very first hero with a secret identity, the Scarlet Pimpernel is a worthy precursor to Zorro and Batman. His daring antics (and undeniable flair) are just as delightful today as they were a century ago.
A stunning reminder of a time when the word of God inspired images of astonishing luminosity and daunting levels of physical sacrifice. This treasure trove is enough to make a heathen turn to God. - The Independent, London In the beginning was the word, and in the Middle Ages was the zenith of the Bible. It was a time when bibles were commissioned by kings, princes, and high-ranking members of the Curia, whose wealth and influence begat ornately illustrated bibles of extraordinary craftsmanship. The Most Beautiful Bibles covers examples from every epoch of the Middle Ages, presenting the Bible as it was visualized in both theological and historical contexts. As the beauty and significance of the illustrations are undeniable, the manuscripts are also examined from an art historical point of view. Texts by Andreas Fingernagel, Stephan Fussel, Christian Gastgeber, and a team of 15 scientific authors describe each manuscript in detail and explore the evolution of the Bible as well as the medieval understanding of history that is inherent in these versions of the Bible; also included is a glossary of important terms so that those not versed in bible history can enjoy the texts as well. This sumptuous publication of these rare and significant manuscripts-reproduced with the impeccable quality and modest price tag for which TASCHEN is known-is a truly divine event. About the editor: Andreas Fingernagel studied art history and archaeology in Salzburg and Vienna. From 1985 to 1989, he worked in the Manuscripts Department of the Staatsbibliothek Preussischer Kulturbesitz, Berlin, and later took part in research relating to the cataloguing of medieval manuscripts in Vienna`s Austrian National Library. He teaches at the University of Vienna. About the authors: Stephan Fussel is director of the Institute of the History of the Book at the Johannes Gutenberg University of Mainz, and holder of the Gutenberg Chair at the same university. He has published prolifically on the early days of printing, the sale and publication of books between the 18th and 20th centuries and the future of communications. Christian Gastgeber studied classics and Byzantine studies at the University of Vienna. After receiving his doctorate in 2002, he joined the staff of the Byzantine Section of the Austrian Academy of Sciences, Vienna, specialising in Greek palaeography and diplomatics. He is editor-in-chief of Biblos, a periodical for the history of books, libraries, script, and typography issued by the Austrian National Library in Vienna. Издание на английской языке.
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